PUBLIC APOLOGY in private

need to slow down

or maybe use my voice in public only for singing

:

What I had wanted to say,
is that I would like to make this a PUBLIC APOLOGY,,,,

then to ask, if I could or should
"CC: the other people who were there,
and your sweet sister
because I'd asked them for help,
no , beseeched their kind intervention.
With special thanks to the luminous Laura~lanu."

WHEN I should have asked her,

"Blessings in all y/our endeavors for all,
for the Good,, , , , ,"
.
shldawouldacouldamightahafta
ifIhad
.
done
.

.

falling off the ray

& then having to dissipate
more
energy

in correcting,

while always having to remember,
that when
traveling at
the speed of light,

what you see is not
what you get,

. .
And the now is then,
as soon as you get it.
got it?
.

worse,

or better
to know that, from the outset,

even before the beginning of the 'start'

that at this rate of movement

approaching the edge of existence
all ways

as we know it,

even the most minuscule error

quickly becomes
tragic

.

ask any driver

after, the accident

.

that's why G()d, Hashem Hagadol

made us so

(in)sensitive

.

so as not to die from pain

of (not) knowing

in real time

as soon as we

could feel
think,
understand
to adapt to
the agony

.
Not in any way to present this as a plea
for the (so-called) "Right to Know"
when It is really a plea for the contrapostive:
The "Right Not to Know"

.

Or , to quote a quote, that has a rather different angle of view
(which means that it opens up, eventuates, in an entirely different,
albeit integrative universe,,,, i.e., if one wants to give the benefit of
the doubt, i.i.e empathic or active listening)
but speaks to my heart and soul,
with all due respect to Marilyn Monroe RIP:
.

"The apple cannot be stuck back on the Tree of Knowledge; once we begin to see,
we are doomed and challenged to seek the strength to see more, not less."
Arthur Miller Z"L (1915-2005)
,
,
,

dream(ing) on